kino adagio
kino adagio is a production platform of documentary film and video art.
the earth
beneath us
Hope, power, greed and energy. A community faces the arrival of global mining interests as a giant lithium deposit is unearthed beneath their feet — a portrait of transformation in the shadow of a new green economy.
by Jack Wolf and Janvier Murairi.
by Jack Wolf and Janvier Murairi.
soñé que estaba
temblando
In the midst of a popular uprising and the militarization of Cali, Colombia, student Milena Acevedo becomes pregnant and, together with her partner, has to decide whether or not to have their child.
by Milena Acevedo and Tonio Hecker.
A young Palestinian boy who grew up in Syria is forced to flee as war engulfs his neighbourhood in Damascus. Years later, he is still trapped in Beirut, with no work, no friends and the war raging in his old home, he turns to his phone. Our film does not use a traditional camera; it employs a depth-sensing instrument, like the algorithms behind social media, our protagonist’s world is turned into a string of numbers, he is ‘datafied’, processed and re-projected onto our screens. Today, social media is far from the warm community it was once dreamed of being. But the regime the Palestinian boy fled has fallen, he can go home.
by Jack Wolf.
nasim
In Europe’s largest refugee camp, Nasim fights for a self-determined life. Her high hopes seem to disappear in the ashes of a fire which destroys the camp.
by Arne Buettner and Ole Jacobs.
by Milena Acevedo and Tonio Hecker.
I Don't Think I'm Alone in This
A young Palestinian boy who grew up in Syria is forced to flee as war engulfs his neighbourhood in Damascus. Years later, he is still trapped in Beirut, with no work, no friends and the war raging in his old home, he turns to his phone. Our film does not use a traditional camera; it employs a depth-sensing instrument, like the algorithms behind social media, our protagonist’s world is turned into a string of numbers, he is ‘datafied’, processed and re-projected onto our screens. Today, social media is far from the warm community it was once dreamed of being. But the regime the Palestinian boy fled has fallen, he can go home.
by Jack Wolf.
nasim
In Europe’s largest refugee camp, Nasim fights for a self-determined life. Her high hopes seem to disappear in the ashes of a fire which destroys the camp.
by Arne Buettner and Ole Jacobs.